dboom. skrilldhex.

[dbcooper]

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[Dangerman]

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[dhex]

really digging this album as a whole. they're nice guys too.

so much more bandcamp purchases from the weekend. highlights thus far have been olafur arnalds, anohni (the lyrics are just kinda crap by themselves, tho) and subrosa's last album.

i really like the anohni album but i mean, obama.

[dbcooper]

On another forum, some asshole tried to claim that Monster Magnet's Powertrip was the best album of the 90's.

What a fucking retard. I am fucking incensed.

[dbcooper]

[dhex]

On another forum, some asshole tried to claim that Monster Magnet's Powertrip was the best album of the 90's.

What a fucking retard. I am fucking incensed.

Ahahahah the fuck?

[dbcooper]

Finland, dude. Nothing but retards.

[dhex]

Weird elves.

[dbcooper]

LOL, by the power of your horrific avatar I do summon the Finish devil, but he is pretty accustomed to snoozing it off.

As the manager of Mayhem said to me on a flight from Berlin, the hardest part of managing a heavy metal group is letting the band know that the lead singer is gay.

[dbcooper]

On another forum, some asshole tried to claim that Monster Magnet's Powertrip was the best album of the 90's.

What a fucking retard. I am fucking incensed.

Ahahahah the fuck?

Hell, when people post material like that, I wonder why I shouldn't just shit on the floor. I mean, come on.

[dbcooper]

The consensus at this time of night is to drink the quality german beers (Hofbrau) and break out the Kenny Loggins.

The first track on his first solo album is fucking amazing. Going for it is an understatement.

"shuffle the cards, blow on the dice, are you with me in life like are with me in love"

FUCKING HELL! The logg is out of control.

[dhex]

As the manager of Mayhem said to me on a flight from Berlin, the hardest part of managing a heavy metal group is letting the band know that the lead singer is gay.

ahahahaahahaahahah yeah i would imagine that can be difficult.

[Andrew]

As the manager of Mayhem said to me on a flight from Berlin, the hardest part of managing a heavy metal group is letting the band know that the lead singer is gay.

ahahahaahahaahahah yeah i would imagine that can be difficult.

I think I've seen that Mr. Show scene.

[dbcooper]

Imagine getting on a plane and you are welcomed every time by the dulcet tones of Kenny Loggins singing "chickity pah, chickity pah" - pure relaxation.

[dbcooper]

[dhex]

man those sessions must have been bonkers.

"kenny, just keep being you, man! solid gold!"

and kenny's all

"fuck everything i am a god. i don't care how many syllables miracle is 'supposed' to have"

[dbcooper]

Although he identifies as a new age artist, Mars Lasar has also had a discreet impact on the development of electronic music at large, and he has worked on platinum recordings within other genres. Born in Germany and raised in Australia, the Los Angeles-based keyboardist and composer combined formal music training and love for technology, and eventually developed a passion for sequencing and sampling. For several years, he was employed by Fairlight and helped create and demonstrate Page R, the sequencer included in the Fairlight CMI, a synthesizer heard on advanced early-'80s recordings by the likes of Kate Bush, Herbie Hancock, and Peter Gabriel. During this period, Lasar was in a band, I.Q., which released an EP featuring his own work on the CMI.

Lasar's reach extended the most during the '90s, when he worked on Seal's debut album (specifically the smash hit "Crazy") and the Jason's Lyric soundtrack (through Sovory's "Love Is Still Enough"). Both albums were certified platinum. The same decade, he collaborated with Hancock on Dis Is da Drum and started issuing his own projects at a prolific rate. The releases began with Olympus, an album that hit Billboard's new age albums chart and was used by the CBS network during its telecast of the 1992 Winter Olympics. Through series such as Baby Escapes and Mindscapes, along with other conceptual releases like Yosemite, Valley of the Giants and AfterWorld, Lasar's productivity didn't let up through the 2010s. While these releases were classified as new age, they were free of stylistic restrictions. Additionally, Lasar's music was regularly used for programs on major network television, ranging from 24 to America's Got Talent.

[Kolohe]

It was bound to happen sooner or later. 10 year old threw up the horns at end of kids' choir.

Fortunately it was at the 8:00 service and most of the parishioners can't see so well.

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A blast from the glitchy past:

[dead_elvis]

I feel like I shouldn't like this, and yet I'm completely mesmerized: