To DVDs and Beyond: The Netflix Thread

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JasonL
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Re: To DVDs and Beyond: The Netflix Thread

Post by JasonL » 15 Nov 2018, 15:04

Pham Nuwen wrote:
JasonL wrote:
15 Nov 2018, 14:39
It is also true that the lead can’t act.
Soooooo the forced Gilmore girl attitude is herself? Huh.
She was notably cringey on Mad Men

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Pham Nuwen
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Re: To DVDs and Beyond: The Netflix Thread

Post by Pham Nuwen » 15 Nov 2018, 15:26

JasonL wrote:
15 Nov 2018, 15:04
Pham Nuwen wrote:
JasonL wrote:
15 Nov 2018, 14:39
It is also true that the lead can’t act.
Soooooo the forced Gilmore girl attitude is herself? Huh.
She was notably cringey on Mad Men
I never finished the series. :(
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Painboy
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Re: To DVDs and Beyond: The Netflix Thread

Post by Painboy » 15 Nov 2018, 16:08

JasonL wrote:
15 Nov 2018, 15:04
Pham Nuwen wrote:
JasonL wrote:
15 Nov 2018, 14:39
It is also true that the lead can’t act.
Soooooo the forced Gilmore girl attitude is herself? Huh.
She was notably cringey on Mad Men
Was she? I always thought it was her weird little friend* everyone hated?

*I think they were also a famous somebody's kid.

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Mo
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Re: To DVDs and Beyond: The Netflix Thread

Post by Mo » 22 Nov 2018, 17:20

The weird kid was the showrunners’ son. Sally Draper was fine.
his voice is so soothing, but why do conspiracy nuts always sound like Batman and Robin solving one of Riddler's puzzles out loud? - fod

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Re: To DVDs and Beyond: The Netflix Thread

Post by Hugh Akston » 01 Dec 2018, 17:32

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Andrew
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Re: To DVDs and Beyond: The Netflix Thread

Post by Andrew » 02 Dec 2018, 21:46

I saw the first 4 vignettes of The Ballad of Buster Scruggs. Perhaps the last 2 would change my mind, but I was not impressed. First off, the photography is weird. Everything has a slightly too round, somewhat slippery look like the effect of getting too close to a fisheye lens. Also, much of it had that unreal feeling that occurs when HDR is cranked too high. Between the two effects, everything had a fake, cartoony feel, and not in a good way.

I didn't see any point to the Buster Scruggs vignette, and the Meal Ticket vignette wasn't much better.

Near Algodones had the Coen feel was I expecting (absurd while remaining dry humored), and I enjoyed that one. James Franco played his role well, and Stephen Root laughing maniacally while running across a field covered in pans is just what life needs.

All Gold Canyon was the best of the four I saw, and that was biased heavily by great scenery and Tom Waits. Wiki claims the filming location was near Telluride, but it appears to have actually been Upper Piney River near Vail. The golden hour photography really paid off with this one.
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Re: To DVDs and Beyond: The Netflix Thread

Post by Hugh Akston » 02 Dec 2018, 22:03

The Gal Who Got Rattled is the best one. Obscure patois and good characterization with a healthy dose of Coen absurd darkness. President Pierce is the hero we need right now.
"Is a Lulztopia the best we can hope for?!?" ~Taktix®
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dbcooper
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Re: To DVDs and Beyond: The Netflix Thread

Post by dbcooper » 06 Dec 2018, 20:05

Andrew wrote:
02 Dec 2018, 21:46
I saw the first 4 vignettes of The Ballad of Buster Scruggs. Perhaps the last 2 would change my mind, but I was not impressed. First off, the photography is weird. Everything has a slightly too round, somewhat slippery look like the effect of getting too close to a fisheye lens. Also, much of it had that unreal feeling that occurs when HDR is cranked too high. Between the two effects, everything had a fake, cartoony feel, and not in a good way.

I didn't see any point to the Buster Scruggs vignette, and the Meal Ticket vignette wasn't much better.

Near Algodones had the Coen feel was I expecting (absurd while remaining dry humored), and I enjoyed that one. James Franco played his role well, and Stephen Root laughing maniacally while running across a field covered in pans is just what life needs.

All Gold Canyon was the best of the four I saw, and that was biased heavily by great scenery and Tom Waits. Wiki claims the filming location was near Telluride, but it appears to have actually been Upper Piney River near Vail. The golden hour photography really paid off with this one.
Yeah, I didn't enjoy what I watched of it. Also thought there was something wrong with my TV for a while, with it looking blown out.
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Ellie
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Re: To DVDs and Beyond: The Netflix Thread

Post by Ellie » 06 Dec 2018, 20:33

Andrew wrote:
02 Dec 2018, 21:46
Near Algodones had the Coen feel was I expecting (absurd while remaining dry humored), and I enjoyed that one. James Franco played his role well, and Stephen Root laughing maniacally while running across a field covered in pans is just what life needs.
Would you say this one avoids anything too mean or upsetting? I love Stephen Root but some of the darker Coen stuff just leaves me a mess.
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Re: To DVDs and Beyond: The Netflix Thread

Post by Andrew » 06 Dec 2018, 21:44

Ellie wrote:
06 Dec 2018, 20:33
Andrew wrote:
02 Dec 2018, 21:46
Near Algodones had the Coen feel was I expecting (absurd while remaining dry humored), and I enjoyed that one. James Franco played his role well, and Stephen Root laughing maniacally while running across a field covered in pans is just what life needs.
Would you say this one avoids anything too mean or upsetting? I love Stephen Root but some of the darker Coen stuff just leaves me a mess.
What have you found too dark and upsetting by them, and what have you found to be okay?
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Ellie
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Re: To DVDs and Beyond: The Netflix Thread

Post by Ellie » 06 Dec 2018, 21:54

I'm trying to remember but it's hard because if I see something upsetting I immediately try to forget it :lol:

For example, I liked many parts of O Brother but the part where the guy is getting whipped really bothered me. I didn't like the Baby Face storyline either.

I think I mostly dug True Grit but the tongue biting bothered me.

I didn't like No Country for Old Men (but don't remember most if it).
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Re: To DVDs and Beyond: The Netflix Thread

Post by Warren » 06 Dec 2018, 22:10

Ellie wrote:
06 Dec 2018, 21:54
I'm trying to remember but it's hard because if I see something upsetting I immediately try to forget it :lol:

For example, I liked many parts of O Brother but the part where the guy is getting whipped really bothered me. I didn't like the Baby Face storyline either.

I think I mostly dug True Grit but the tongue biting bothered me.

I didn't like No Country for Old Men (but don't remember most if it).
Those line meander too much for me to predict how you might feel about a given movie/scene.
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Pham Nuwen
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Re: To DVDs and Beyond: The Netflix Thread

Post by Pham Nuwen » 06 Dec 2018, 23:15

Ballad wasn't much on the dark side of their usual stuff. More like Aesop's fables brought to you by the Coen Brothers. It was entertaining but not much on the dark humor.
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Re: To DVDs and Beyond: The Netflix Thread

Post by Hugh Akston » 09 Dec 2018, 21:55



Looks like a decent way to kill a couple hours, but the question is whether Bffleck and Oscar Isaac are enough to overcome the sucking charisma void that is Charlie Hunnam.
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Re: To DVDs and Beyond: The Netflix Thread

Post by Ellie » 12 Dec 2018, 23:49

Marie Kondo is getting her own Netflix show:

Code: Select all

https://www.facebook.com/konmarimethod/videos/783400421996449/
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Re: To DVDs and Beyond: The Netflix Thread

Post by Hugh Akston » 20 Dec 2018, 17:58

I usually rate stand-up comedy somewhere between soccer and CSPAN in terms of watchability, but the new Ellen Degeneres special is pretty solid.
"Is a Lulztopia the best we can hope for?!?" ~Taktix®
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Re: To DVDs and Beyond: The Netflix Thread

Post by Warren » 20 Dec 2018, 19:06

Hugh Akston wrote:
20 Dec 2018, 17:58
I usually rate stand-up comedy somewhere between soccer and CSPAN in terms of watchability, but the new Ellen Degeneres special is pretty solid.
*squinty eyes*
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thoreau
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Re: To DVDs and Beyond: The Netflix Thread

Post by thoreau » 17 Jan 2019, 16:32

Space Force!



It will probably be amusing for one or two episodes, but I don't see myself binge watching this.
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Ellie
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Re: To DVDs and Beyond: The Netflix Thread

Post by Ellie » 11 Feb 2019, 20:14

I am five episodes into Russian Doll and it is VERY good. I'm hopeful they can bring it all together at the end.

Edited to add: I blew through the rest of the show tonight. It stumbles on the resolution but it's not a total miss. Still worth watching overall.
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Re: To DVDs and Beyond: The Netflix Thread

Post by Hugh Akston » 26 Mar 2019, 23:47

There is some comfort to be gained I suppose from the knowledge that no one can be as tired of watching Arrested Development as the cast are of making it.
"Is a Lulztopia the best we can hope for?!?" ~Taktix®
"Somali pirates are beholden to their hostages in a way that the USG is not." ~Dangerman

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Re: To DVDs and Beyond: The Netflix Thread

Post by Ellie » 02 Apr 2019, 21:34

Neither David nor I ever watched the original She-Ra, but we're both enjoying the new Netflix version. It's cute and has some genuinely laugh-out-loud funny lines. And it is so gay. SOOOOO GAY. Every girl is some kind of lesbian archetype (butch dyke! sporty dyke! maker dyke!) and every boy is a twink with a side-shave haircut, and there are flowers and sparkles and crystals and rainbows and female power everywhere and it is a delightful Sapphic riot.
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Mo
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Re: To DVDs and Beyond: The Netflix Thread

Post by Mo » 03 Apr 2019, 05:15

Does Lucy Lawless do voice work for one of the characters?
his voice is so soothing, but why do conspiracy nuts always sound like Batman and Robin solving one of Riddler's puzzles out loud? - fod

no one ever yells worldstar when a pet gets fucked up - dhex

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nicole
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Re: To DVDs and Beyond: The Netflix Thread

Post by nicole » 03 Apr 2019, 07:51

I was totally disappointed they made She-Ra fat.

I used to say I was her back in nursery school.
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Jasper
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Re: To DVDs and Beyond: The Netflix Thread

Post by Jasper » 03 Apr 2019, 08:33

I didn't even know this was a thing.

<Googles>

So they're pre-teen titans now? No thanks.
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dbcooper
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Re: To DVDs and Beyond: The Netflix Thread

Post by dbcooper » 03 Apr 2019, 09:08

The Dirt was pretty much a TV-movie with tits. Entertaining enough for a Tuesday night.

The Guardian's review was fair:

Where Tremaine’s skillset really shines – and by extension the sequences that separate The Dirt from other genre entries – is in capturing the infectious camaraderie of immature male lunacy.
https://www.theguardian.com/film/2019/m ... lix-biopic
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